Reel Talk: Music adds depth to movie experience
Music is the soundtrack to our lives, and while some music is better than others, we all have our preferences.
Much like hearing a new Beyoncé, Coldplay or Bruce Springsteen album, music evokes emotions, often tugging at our heartstrings as the perfect crescendo is played just at the right time.
While most average moviegoers don’t pay attention to the names of the musical composers, I do because I am interested in how music plays an integral part to making a movie stand out.
Most people may remember the iconic “Star Wars” films for their action, visual effects, and yes, the music. The epic score by John Williams is equal parts upbeat, whimsical and dark. Who doesn’t remember Darth Vader’s theme when he enters a room, or is imposing his will on the galaxy?
In fact, much like cinematographers, actors and screenwriters, directors often work with composers on multiple film projects.
Williams is no different, often being called upon to compose music for such Hollywood icons as Steven Spielberg and “Star Wars” creator George Lucas.
Williams is the Meryl Streep of nominations, garnering 45 Oscar nominations for his scores, winning five.
The great Williams is a maestro, a true musical genius, writing scores that resonate long after you have forgotten about plot.
Keep in mind that Williams is no one-trick pony, authoring the famous themes for "Jaws" and "Superman."
We all remember the slow and steady theme used to show the hunt of a great white shark in "Jaws." Who hasn’t swam in a pool with friends and not hummed the ominous “Jaws” theme?
Music just goes better with everything, and movies are no different. Despite being in the background of a scene, music makes its mark, helping move the story. In some ways, the music can tell you how to feel: deeper notes accompanying the enemies, an orchestra swelling as the man and woman finally kiss, and everything in between.
Scores are also not just created by orchestras these days, as technology has allowed composers to use various electronic mixes to help tell a story.
Other film composers I admire are Hans Zimmer, who often works on films with Christopher Nolan, and Clint Mansell, who has delivered two beautifully rendered scores with "Requiem for a Dream" and "The Fountain."
Mansell’s music in "The Fountain" particularly stood out to me. He has a gift for putting together beautifully orchestrated pieces. The sounds are tranquil, often calming.
If you ever wanted to relax by listening to music, check out Mansell’s "Stay with Me" and "Tree of Life."
A musical score can hide a weak moment on the screen, or give the extra punch that a scene needs. Music is the subtext of a movie.
cshoup@gannett.com
419-334-1035
Twitter: @CraigShoupNH